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Bangladesh

7,900 US$31 Oct 2027

An incredible 11-day photography tour in Bangladesh, with one of the most spectacular photo opportunities in the world: The Rakher Upobash Festival of the Thousand Candles. This is just the appetizer; starting with this convenient excuse, we will travel around the country, meeting tribes, water gypsies, incredible landscapes and water markets.

Bangladesh rewards the patient lens. Over eleven days we move through Dhaka's working arteries and out to the Bay of Bengal, gathering frames where labor, faith, and daily commerce play out in the open.

We begin in the capital, where dyed cloths dry across open fields, brick kilns smoke at dawn, and the Buriganga River carries a constant traffic of vessels, vendors, and weight. Old Dhaka opens its spice markets, silver workshops, and shell-bangle makers to our cameras.

We fly south to Cox's Bazar for a Buddhist monastery, coastal forest, and the long coral shore at Inani, then return to the geometric racks of the country's largest dry-fish zone.

Back in Dhaka we document schools, madrassas, and trackside communities before traveling to Barodi for the Rakher Upobash festival, where thousands of devotees gather in candlelight. Throughout, our focus stays on people: portraits, gestures, and the settings that frame them.

 

 

HIGHLIGHTS

  • Rakher Upobash Festival, Barodi — a candlelit Hindu vigil at the Sri Sri Loknath Ashram where thousands of devotees gather before the temple, offering rare low-light ritual portraiture.
  • Buriganga River Labour, Old Dhaka — hand-dismantled ships, coal porters, and a relentless waterfront jetty, the city's industrial pulse rendered in steel, sweat, and river light.
  • Brick Kiln Factories, Savar — traditional, hand-fired kilns where workers shape and stack bricks amid smoke and chimney haze, a vanishing manual industry.
  • Shell & Silver Workshops, Shakhari Bazar — artisans turning conch shell into bangles and silver into jewelry in the lanes that gave the bazar its name.
  • Special-Needs School & Madrassa, Dhaka — intimate access to children learning craft, music, and scripture, an inspiring and respectful portrait opportunity.
  • Nazirartek Dry-Fish Zone, Cox's Bazar — the nation's largest drying ground, thousands of fish ranked on bamboo racks in stark geometric repetition.

 

What Are We Going to Experience

 

This is a documentary journey built for photographers who work close to their subjects. The itinerary favors human stories: textile dyers tending fields of color, weavers at their looms, kiln workers shaping and firing bricks by hand, and craftsmen turning shell and silver into ornament.

Our mornings belong to the city as it wakes earliest — wholesale markets, river jetties, and ship-repair yards along the Buriganga — while afternoons unfold in informal settlements where community life proceeds without staging.

The coast adds a second register: a 400,000-strong Buddhist community's monastery, tropical forest, a quiet coral beach, and the bamboo racks of Nazirartek's dry-fish zone.

Faith threads through the route, culminating in the Rakher Upobash festival at Barodi, where candlelight, chants, and ritual offer rare low-light portraiture. We also meet special-needs students and madrassa pupils whose routines reward patient, respectful documentation. Expect portraits, environmental scenes, and the textures of work — color, smoke, water, and light — across city, river, and shore.

  • Traditional brick kiln factories at Savar
  • Coal loading at the river jetty
  • Old Dhaka: spice market, fruit market, Sadarghat waterfront, and the Buriganga River
  • Bakarkhani flatbread baking, Old Dhaka
  • Shell-bangle making at Shakhari Bazar
  • Silver jewelry craftsmanship, Tanti Bazar
  • Wholesale raw market at Mirpur (poultry, fish, vegetables)
  • Ship-repairing yard at Keraniganj
  • Aluminum factory near Keraniganj
  • Aggameda Khyang Buddhist monastery, Cox's Bazar
  • Himchari National Park forest and waterfalls
  • Inani coral beach
  • Nazirartek dry-fish processing zone
  • Boat-landing site and fishermen's catch, Cox's Bazar
  • School for special-needs children, Dhaka
  • Madrassa / orphanage study routines
  • Trackside slum community documentary
  • Rice-processing factories and drying fields, Brahmanbaria
  • Rakher Upobash festival at Sri Sri Loknath Brahmachari Ashram, Barodi

This trip was my third with Harry, after two in India, and a true testament to his ability and to the opportunities he exposes us to is that I am planning trips number four and five only 10 days after my return from Ethiopia.

The trip to Ethiopia was a dream come true. It felt as though I had been dropped right into the pages of National Geographic Magazine, which I read as a child, and which instilled a thirst for travel to Africa.

Harry ‘s organization and guidance leave nothing to chance. He uses wonderful people on the ground to drive, guide, and make each experience seamless. The festivals and amazing opportunities, remote and wonderful locations are trademarks of his trips.

Harry is a genuine character, with a wonderful sense of humour, an eye for the magic in photographic situations, and a natural teacher’s ability to explain how to make use of light,
line and composition in our shots.

Thank you Harry for an unforgettable experience.

Ynda Greenberg (Toronto, Ontario)

 



ITINERARY

 

Day 01 – Arrival in Dhaka

We land at Hazrat Shahjalal International Airport in Dhaka. After clearing immigration and customs, our representative meets us outside the arrival terminal's exit gate and transfers us to the hotel to check in and freshen up. The evening brings an orientation briefing — a chance to align on routines, light, and the days ahead — followed by a welcome dinner. It is a gentle first contact with the city, time to ready cameras and settle into the rhythm of the journey.

Photographic Opportunities: Arrival is light on shooting, but the airport approach, first street scenes from the transfer, and the welcome dinner offer early frames: faces of the team, the texture of the city at dusk, and quiet hotel-side portraits as the group gathers.

Accommodation: Super Deluxe Room at Grand Palace Hotel, Dhaka (4-star local chain)

Meals: Buffet dinner at the hotel

 

Day 02 – Fabric Dyeing Fields & Urban Slum

We leave early, around 0600–0630 hrs, driving 35 km to Araihazar to photograph the vibrant textile-drying process, where dyed cloths are spread across open grounds to dry in broad sheets of color.

From there we may visit the Jamdani weaving village at Rupshi, Demra, a short drive away, where handloom weavers produce the region's celebrated fine muslin. In the afternoon we turn to documentary work in one of Dhaka's densely populated informal urban communities, a slum area where daily life proceeds at close quarters. We stay alert to our belongings here, as the area is not entirely safe and pickpockets move among visitors. We overnight in Dhaka.

Photographic Opportunities: Fields of drying cloth in saturated color, dyers turning and lifting fabric, the rhythmic motion of Jamdani handlooms, and weavers' hands at work. In the settlement: candid street portraits, doorway scenes, children at play, and the textures of close-packed community life — made with care and consent.

Accommodation: Grand Palace Hotel, Dhaka

Meals: B/L/D

 

Day 03 – Brick Kiln Factories

Today we visit two separate traditional brick kiln factories in Savar, 50–60 km from the capital, witnessing workers use time-honored methods to shape, transport, and fire bricks in massive ovens. The scale is industrial yet entirely human-powered: figures moving stacks across smoking yards, the geometry of drying bricks, and the haze of the kilns. We may also visit the river jetty to photograph coal loading, if it is in operation, where laborers carry heavy baskets along the waterline. We overnight in Dhaka.

Photographic Opportunities: Workers shaping and stacking bricks, lines of fired and unfired blocks in repeating pattern, the smoke and chimneys of the kilns, and silhouettes against the ovens. At the jetty: porters bearing coal baskets, dust-streaked portraits, and the play of light and labor along the river's edge.

Accommodation: Grand Palace Hotel, Dhaka

Meals:B/L/D

 

Day 04 – River Labour & Silver Workshops

We discover Old Town — the spice market, the fruit market, the Sadarghat waterfront, the Buriganga River, Tanti Bazar, and Shakhari Bazar. The busy river jetty teems with the loading and selling of goods; bakers turn out Bakarkhani, old Dhaka's famous flatbread, while people gossip on thin stools, dipping the bread into tea. Live kitchen scenes unfold, Shankhari artisans craft bangles from shell — the trade that gives Shakhari Bazar its name — and silver craftsmen shape jewelry. There is no shortage of subjects on which to focus our lenses, from commerce to craft to candid street life. We overnight in Dhaka.

Photographic Opportunities: Waterfront porters and cargo at Sadarghat, vendors in the spice and fruit markets, bakers at the Bakarkhani ovens, tea-drinkers on low stools, shell-bangle makers mid-task, and silversmiths at the bench. Tight portraits and busy environmental frames reward patience in the lanes of Tanti and Shakhari Bazar.

Accommodation: Grand Palace Hotel, Dhaka

Meals: Dinner at a local Chinese/continental buffet restaurant

 

Day 05 – Poultry Market & Ship-Breaking Yard

Early, around 0530–0600 hrs, we visit a wholesale raw market in the Mirpur area to photograph the loading and unloading of goods and the selling of poultry, fish, and vegetables — a chaotic, vivid morning at one of Dhaka's largest markets. We then drive to Keraniganj to see the ship-repairing yard along the Buriganga River, where vessels are dismantled by hand against a raw industrial backdrop.

Sparks, steel, and the bodies of workers define the scene. We may also visit a nearby aluminum factory, adding another layer of manual industry to the day. We overnight in Dhaka.

Photographic Opportunities: Pre-dawn market chaos: porters under load, fishmongers, poultry cages, and vegetable stacks lit by bare bulbs. At Keraniganj: workers cutting and hauling steel, sparks against shadow, hulls under repair, and grease-marked portraits. The aluminum factory offers heat, glow, and the focused gestures of skilled hands.

Accommodation: Grand Palace Hotel, Dhaka

Meals: B/L/D

 

Day 06 – Fly to Cox's Bazar

[ref flight schedule: BS-141 DAC CXB 0720 0825 or BS-143 DAC CXB 0830 0935]

After an early or take-away breakfast, we transfer to the domestic airport and fly to Cox's Bazar. On arrival we visit the Aggameda Khyang, raised on round timber columns — a large Buddhist monastery revered by some 400,000 Buddhists of Cox's Bazar and the Chittagong hill tracts, holding a prayer hall, an assembly hall, bronze Buddha images of mostly Burmese origin, and old manuscripts.

We continue to Himchari National Park just south of town, with tropical rainforest, grassland, and seasonal waterfalls that spill toward the beach in the rains. We then drive to Inani Beach, an 18 km calm, quiet coral shore.

Photographic Opportunities: Monks, devotees, and the timber halls and bronze images of Aggameda Khyang; forest light and cascades at Himchari; and the long, quiet curve of Inani's coral beach. Coastal portraits, fishing figures on the sand, and wide land-and-sea compositions in soft afternoon light.

Accommodation: Sea View Room at Sea Palace Hotel, Cox's Bazar (or similar 4-star standard)

Meals:B/L/D

 

Day 07 – Dry Fish Market & Boat Landing — Return to Dhaka

[ref flight schedule: BS-158 CXB DAC 1835 1940]

In the morning we drive to Nazirartek to visit Bangladesh's largest dry-fish processing zone, where thousands of fish hang in geometric rows on bamboo racks under open sky. We then move to the boat-landing site to watch fishermen unload the day's catch from the sea, a scene of weight, water, and coordinated effort. In the evening we fly back to Dhaka, dine at a restaurant, and transfer to the hotel for the night.

Photographic Opportunities: Endless bamboo racks of drying fish in repeating pattern, workers moving among the rows, and the silver shimmer of the catch. At the landing: fishermen hauling nets and baskets, boats nosing ashore, and salt-worn portraits against sea light — strong graphic frames and candid human moments.

Accommodation: Super Deluxe Room at Grand Palace Hotel, Dhaka

Meals: B/L/D

 

Day 08 – Inspirational School & Slum Community

This morning we visit a remarkable school where special-needs children learn singing, dancing, painting, crafting, cooking, dyeing, and computer skills — work that helps them grow self-reliant, and an inspiring, moving portrait opportunity. Alternatively, we may visit a madrassa where children from poor families learn Arabic at low cost, or orphans study for free; their day begins very early, around 0300–0330 hrs, and runs late with short breaks for meals and rest.

In the afternoon we document another slum area near the train line, continuing our community photography along the tracks. We overnight in Dhaka.

Photographic Opportunities: Expressive classroom portraits — children singing, painting, and crafting — and quiet moments of concentration; or madrassa pupils at dawn study in low light. Trackside: candid community life, children near the rails, doorway scenes, and environmental portraits made with patience and consent.

Accommodation: Grand Palace Hotel, Dhaka

Meals: Dinner at a local Chinese/continental buffet restaurant

 

Day 09 – Rice Processing Region

Early, around 0600 hrs, we drive to Brahmanbaria District — roughly 110 km and about three hours from Dhaka — to see the rice-processing factories. We photograph how workers collect rice, dry it across large fields, and store it, following the grain through each stage of labor. The wide drying yards, figures raking and turning rice, and the play of dust and light make for strong documentary and pattern-driven frames. We return to Dhaka in the evening and overnight.

Photographic Opportunities: Vast drying fields with workers raking rice into shifting patterns, women carrying and spreading grain, steam and dust in low light, and tight portraits of laborers mid-task. Repeating lines, warm tones, and human scale against the open yards reward both wide and close compositions.

Accommodation: Grand Palace Hotel, Dhaka

Meals:B/L/D

 

Day 10 – Rakher Upobash Festival

In the afternoon we drive 30 km to Barodi for the Rakher Upobash festival at the Sri Sri Loknath Brahmachari Ashram. Known as Karthik Vrat, Rakher Upabas, Gonsair Upabas, and Ghrit Pradip Prajjalan, it stands as a testament to Bengal's devotion and cultural richness, fostering a deep bond between devotee and divine. Thousands converge from far and wide for the sacred rituals, the candle flames a beacon of hope through the journey of life. Held each Saturday and Tuesday of the last fifteen days of Kartik, it gathers worshippers before the temple at dusk; bathed in candlelight, they immerse themselves in prayer for blessings and solace as chants fill the air.

We return to Dhaka late and overnight.

Photographic Opportunities: Rows of devotees before the temple in pooled candlelight, faces lit from below, hands cupping flames, and offerings of ghee lamps. Dusk-to-dark low-light portraiture, chanting crowds, ritual gestures, and the warm glow of massed candles against deepening shadow — among the trip's richest atmospheric frames.

Accommodation: Grand Palace Hotel, Dhaka

Meals: Dinner at a local Chinese/continental buffet restaurant

 

Day 11 – Departure

After breakfast and hotel checkout, we transfer to Hazrat Shahjalal International Airport (DAC), Dhaka — international terminal — for individual onward flights. Here our services end, cameras full of the labor, faith, and faces of Bangladesh.

Photographic Opportunities: A few final frames remain — packing the gear, last group portraits in the hotel lobby, and parting street scenes on the transfer to the airport as the journey closes.

Accommodation: None (departure day)

Meals: Breakfast at the hotel



Prices per person
9-10 Participants 7,900 US$


Supplements
SIngle Room Supplement 750 US$


WHAT'S INCLUDED

Prices are per person, based on double occupancy.  A limited quantity of single-occupancy rooms are available for an additional charge.

 

We reserve the right to amend prices of unsold tours at any time and correct errors in the prices of confirmed tours. Under our General Terms, confirmed tour prices may rise in specific cases.

 

The maximum number of participants are listed under "Maximum Group" in the Price section of each individual workshop. However, we reserve the right to add by up to two , the maximum number of participants per workshop at any time.

 

 

INCLUDED

 

-Workshop leader Harry Fisch or/(and) Roberto Pazzi

-All meals, except the first and the last day.

-Gratuities:  baggage porterage, driver and assistant,  housekeeping and meals served as part of the tour. The fees do not include the customary gratuity for your guide on the main itinerary and the optional extension. 

-Transfers on arrival and departure.

-Transport as specified. 

- Two internal flights included.

-Lodging 4 stars hotels and excellent local hotels, double room, double occupancy. Private bath and air conditioning. 

-Visit and activities as specified in the itinerary.

 

 

NON INCLUDED

 

-International flights

-Gratuity for the guides

-Soft drinks and alcohol 

-Personal extras, drinks, laundry, phone, etc..

-Camera insurance.

-Visa.

-Airline taxes

-Any item or service not expressly defined as included.